This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

《设计理想家》由鲁班之星·天猫家装城联手好好住app和芒果tv打造，是一档聚焦年轻人家装喜好，传递潮流设计美学的家装局改综艺，也是全国首档用户DIY爆改综艺。每期两户心愿人将迎接天猫鲁班之星为其打造的“理想家”。

《设计理想家》由鲁班之星·天猫家装城联手好好住app和芒果tv打造，是一档聚焦年轻人家装喜好，传递潮流设计美学的家装局改综艺，也是全国首档用户DIY爆改综艺。每期两户心愿人将迎接天猫鲁班之星为其打造的“理想家”。

故事以年轻的新人设计师的视角来描绘设计行业的剧集。由设计事务所“Lemon Life”的代表千原彻也亲手设计的企划和作品为主题，描绘了其成立的经过和过程，以及与之相关的人们。 MEGUMI、后藤淳平、Momo、伊藤万理华、新井郁、奈良裕也 等人共演。▷12月2日首播！全5话。

《理想的时光》薇娅和她的朋友们放下工作和生活的包袱，前往安徽庐江，发起"理想花园"计划，改造与经 营一家富含传统中国文化、徽派乡村气息的民宿，只面向对中国充满好奇和热情，但对中国还不甚了解的外国 友人开放，展现中国新乡村的美丽风情与文化底蕴，在文化输出的同时，见证乡村之美、实践乡村振兴

金牌投资人杨光因为参与投资的企业震辰科技CEO在自己面前跳楼自尽受到巨大打击，隐居山村。为了帮好友盛亦梵解决项目危机，获得盛父认可，杨光结束反思，重回投资界，协助盛亦梵运作一个小规模投资公司——高迥资本。在这个过程中，杨光结识了来自世界顶级投资公司黄石资本的女投资人陈曦。两人开始了一场顶尖投资者的“猫鼠游戏”，在竞争中彼此吸引和欣赏，由竞争转为合作共赢。杨光一点点捂热了陈曦那颗因前男友背叛而冰封的心，收获了陈曦的信任和爱情。陈曦也陪伴他走出昔日的阴霾，拨开乌云重见阳光。杨光找到了作为投资人的意义和责任——扶植优秀企业做大做强，创造就业，回馈社会，这就是他最理想的工作。

10个关于乡村的温暖故事，10位追逐梦想的“新农人”。他们是理想生活的倡导者，也是脚踏实地的行动派。 　　免费为村民捎带物品的客车司机、迷上拍纪录片的藏族村民、因为直播剪羊毛意外走红的青年、50多岁开始画画的渔民、做了14年义诊的乡村医生…… 　　这部纪录片记录的，是他们在生活里迈出的小小一步，以及，收获的小小回响。